Selected Work

Archive

Info

Client
National Geographic / Hulu
Type
Creative / Strategy
Year
2017
Role
Head of Creative Strategy, Executive Producer

Unprepared, under fire, and unwilling to surrender. Based on Martha Raddatz’s acclaimed New York Times-bestselling book, The Long Road Home retells the harrowing story of Black Sunday — an ambush on American troops in Sadr City, Iraq in 2004. With this being National Geographic’s most expensive scripted drama series to date, we produced a range of highly stylized, elevated assets ranging from intricate documentaries to scroll-stopping short form content.

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Our campaign was nominated for 2 Golden Trailers and won “Most Innovative Advertising For A TV Series/Streaming Series”.

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One piece in particular seen above, ‘How The Hell Did We Get Here?’ is a comprehensive timeline of the Iraq war. Incorporating complex animation, original voiceover, as well as archival and found footage, this high-budget piece ended up being the top performing execution of the entire campaign garnering millions of views across all Nat Geo official owned channels, managed channels, and broadcast.

‍

Unprepared, under fire, and unwilling to surrender. Based on Martha Raddatz’s acclaimed New York Times-bestselling book, The Long Road Home retells the harrowing story of Black Sunday — an ambush on American troops in Sadr City, Iraq in 2004. With this being National Geographic’s most expensive scripted drama series to date, we produced a range of highly stylized, elevated assets ranging from intricate documentaries to scroll-stopping short form content.

‍

Our campaign was nominated for 2 Golden Trailers and won “Most Innovative Advertising For A TV Series/Streaming Series”.

‍

One piece in particular seen above, ‘How The Hell Did We Get Here?’ is a comprehensive timeline of the Iraq war. Incorporating complex animation, original voiceover, as well as archival and found footage, this high-budget piece ended up being the top performing execution of the entire campaign garnering millions of views across all Nat Geo official owned channels, managed channels, and broadcast.

‍

Campaign Overview

Unprepared, under fire, and unwilling to surrender. Based on Martha Raddatz’s acclaimed New York Times-bestselling book, The Long Road Home retells the harrowing story of Black Sunday — an ambush on American troops in Sadr City, Iraq in 2004. With this being National Geographic’s most expensive scripted drama series to date, we produced a range of highly stylized, elevated assets ranging from intricate documentaries to scroll-stopping short form content.

‍

Our campaign was nominated for 2 Golden Trailers and won “Most Innovative Advertising For A TV Series/Streaming Series”.

‍

One piece in particular seen above, ‘How The Hell Did We Get Here?’ is a comprehensive timeline of the Iraq war. Incorporating complex animation, original voiceover, as well as archival and found footage, this high-budget piece ended up being the top performing execution of the entire campaign garnering millions of views across all Nat Geo official owned channels, managed channels, and broadcast.

‍

Campaign Overview

Unprepared, under fire, and unwilling to surrender. Based on Martha Raddatz’s acclaimed New York Times-bestselling book, The Long Road Home retells the harrowing story of Black Sunday — an ambush on American troops in Sadr City, Iraq in 2004. With this being National Geographic’s most expensive scripted drama series to date, we produced a range of highly stylized, elevated assets ranging from intricate documentaries to scroll-stopping short form content.

‍

Our campaign was nominated for 2 Golden Trailers and won “Most Innovative Advertising For A TV Series/Streaming Series”.

‍

One piece in particular seen above, ‘How The Hell Did We Get Here?’ is a comprehensive timeline of the Iraq war. Incorporating complex animation, original voiceover, as well as archival and found footage, this high-budget piece ended up being the top performing execution of the entire campaign garnering millions of views across all Nat Geo official owned channels, managed channels, and broadcast.

‍

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