Selected Work

Archive

Info

Client
Netflix
Type
Creative
Year
2022
Role
Creative Director

S T Y L E   F R A M E S

Two years before the theatrical release of The Gray Man, Netflix contacted my team to put together style boards for the blockbuster. This creative exploration would be used as the art direction to then create the 360 suite of creative assets for the film. As creative director, this was just the kind of brief I loved. Getting in early and being able to set the visual framework alongside the filmmakers.

While we put forth three directions, and only one was ultimately chosen (seen last here), the work we did was some of my favorite. Below you can find the mood boards I made to guide the creative alongside the style frames. The team included talented designers/art directors/animators Manuel Martin and Ethan Demarest.

S T Y L E   F R A M E S

Two years before the theatrical release of The Gray Man, Netflix contacted my team to put together style boards for the blockbuster. This creative exploration would be used as the art direction to then create the 360 suite of creative assets for the film. As creative director, this was just the kind of brief I loved. Getting in early and being able to set the visual framework alongside the filmmakers.

While we put forth three directions, and only one was ultimately chosen (seen last here), the work we did was some of my favorite. Below you can find the mood boards I made to guide the creative alongside the style frames. The team included talented designers/art directors/animators Manuel Martin and Ethan Demarest.

S T Y L E   F R A M E S

Two years before the theatrical release of The Gray Man, Netflix contacted my team to put together style boards for the blockbuster. This creative exploration would be used as the art direction to then create the 360 suite of creative assets for the film. As creative director, this was just the kind of brief I loved. Getting in early and being able to set the visual framework alongside the filmmakers.

While we put forth three directions, and only one was ultimately chosen (seen last here), the work we did was some of my favorite. Below you can find the mood boards I made to guide the creative alongside the style frames. The team included talented designers/art directors/animators Manuel Martin and Ethan Demarest.

S T Y L E   F R A M E S

Two years before the theatrical release of The Gray Man, Netflix contacted my team to put together style boards for the blockbuster. This creative exploration would be used as the art direction to then create the 360 suite of creative assets for the film. As creative director, this was just the kind of brief I loved. Getting in early and being able to set the visual framework alongside the filmmakers.

While we put forth three directions, and only one was ultimately chosen (seen last here), the work we did was some of my favorite. Below you can find the mood boards I made to guide the creative alongside the style frames. The team included talented designers/art directors/animators Manuel Martin and Ethan Demarest.

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